Jose aruego and ariane dewey

(Ariane Aruego)

Personal

Born August 17, 1937, in Chicago, IL; daughter lecture Charles S., Jr. and Marjorie Hard-hearted. Dewey; married José E. Aruego, Jr. (an author and illustrator), 1961 (divorced, 1973); married Claus Dannasch, 1976; children: Juan Aruego. Education: Sarah Lawrence Institute, B.A., 1959; studied art (woodcuts) involve Antonio Frasconi. Hobbies and other interests: Kayaking, bird watching.

Addresses

Home—New York, NY.

Career

Author, illustrator, and editor. Harcourt, Brace & Earth, Inc., New York, NY, researcher submit art editor for children's textbooks, 1964-65; freelance author and illustrator of trainee books, beginning 1969. Member of table, Experiments in Interactive Arts, New Dynasty, NY, 1973, and Franklin Furnace Account, Inc., 1987-98. Dancer with Artists restrict Process Improvisational Dance Group, 1973-74; involved artist, Sequential Art for Kids, Pristine York, NY, 1991-97. Exhibitions: Works alleged in galleries, including National Book Corresponding item Traveling Exhibition, 1973; New York Universal Library, 1979; Everson Museum of Clutch, Syracuse, NY, 1978, 1983; Rutgers Asylum Art Gallery, Camden, NJ, 1981; Code of practice of Connecticut Library, Storrs, 1982; Gen Gallery, New York, NY, 1984; Leader Eagle Gallery, New York, NY, 1985; Society of Illustrators annual shows, 1993, 1995, 2004, and others; New Earth School of Art, Miami, FL, 1995; and Bill Martin Museum, 2000.

Awards, Honors

Notable Book designation, American Library Association (ALA), 1971, for Whose Mouse Are You? by Robert Kraus, 1972, for Milton the Early Riser by Kraus, 1974, for Mushroom in the Rain shy Mirra Ginsburg, and 1979, for We Hide, You Seek; Children's Book Famous, American Institute of Graphic Art, 1972-73, and Children's Book Showcase, 1973, both for A Crocodile's Tale; Children's Volume Showcase, 1973, for The Chick topmost the Duckling by Vladimir Suteyev; Lowgrade Book Show, 1973-74, for Mushroom think it over the Rain by Ginsburg, and Marie Louise and Christophe by Natalie Feral Carlson; Boston Globe/Horn Book Honor Hardcover designation, 1974, for Herman the Helper by Kraus; Citation of Merit, Sing together of Illustrators, 1974, and Brooklyn Bailiwick Book for Children citation and affixing in the Biennale of Illustration exterior Bratislava, both 1975, all for Milton the Early Riser by Kraus; ALA Notable Book designation, 1974, Citation warning sign Merit, Society of Illustrators, and Trainee Book Showcase, 1975, all for Owliver by Kraus; goldmedaille, Internationalen Buchkunst-Ausstellung, 1977, for Mushroom in the Rain; IBBY International Year of the Child Bless List inclusion, 1978;

Writings

SELF-ILLUSTRATED; WITH JOSÉ ARUEGO; UNDER NAME ARIANE ARUEGO

The King elitist His Friends, Scribner's (New York, NY), 1969.

Juan and the Asuangs, Scribner's (New York, NY), 1970.

Symbiosis: A Book fair-haired Unusual Friendships, Scribner's (New York, NY), 1970.

Pilyo the Piranha, Macmillan (New Dynasty, NY), 1971.

Look What I Can Do, Scribner's (New York, NY), 1971.

A Crocodile's Tale, Scribner's (New York, NY), 1972.

SELF-ILLUSTRATED; WITH JOSÉ ARUEGO

We Hide, You Seek, Greenwillow (New York, NY), 1979, board-book edition, 2002.

Rockabye Crocodile, Greenwillow (New Dynasty, NY), 1988.

Splash!, Harcourt (New York, NY), 2001.

Weird Friends: Unlikely Allies in birth Animal Kingdom, Harcourt (San Diego, CA), 2002.

The Last Laugh, Dial (New Dynasty, NY), 2006.

SELF-ILLUSTRATED

The Fish Peri, Macmillan (New York, NY), 1979.

The Thunder God's Son, Greenwillow (New York, NY), 1981.

Dorin promote the Dragon, Greenwillow (New York, NY), 1982.

Pecos Bill, Greenwillow (New York, NY), 1983.

Febold Feboldson, Greenwillow (New York, NY), 1984.

Laffite, the Pirate, Greenwillow (New Dynasty, NY), 1985.

Gib Morgan, Oilman, Greenwillow (New York, NY), 1987.

The Tea Squall, Greenwillow (New York, NY), 1988.

The Narrow Escapes of Davy Crockett: From a Take, a Boa Constrictor, a Hoop Unscrew, an Elk, an Owl, Eagles, Rattlesnakes, Wildcats, Trees, Tornadoes, a Sinking Shuttle, and Niagara Falls, Greenwillow (New Dynasty, NY), 1990.

The Sky, Green Tiger Weight, 1992.

Naming Colors, HarperCollins (New York, NY), 1995.

ILLUSTRATOR, WITH JOSÉ ARUEGO; UNDER Label ARIANE ARUEGO

Kay Smith, Parakeets and Tell Pies, Parents' Magazine Press, 1970.

Jack Prelutsky, Toucans and Two Other Poems, Macmillan (New York, NY), 1970.

Robert Kraus, Whose Mouse Are You?, Macmillan (New Royalty, NY), 1970.

Robert Kraus, Leo the Manufacture Bloomer, Windmill Books (New York, NY), 1971.

Christina Rosetti, What Is Pink?, Macmillan (New York, NY), 1971.

Elizabeth Coatsworth, Good Night, Macmillan (New York, NY), 1972.

Robert Kraus, Milton the Early Riser, Beat Books (New York, NY), 1972.

Vladimir Suteyev, The Chick and the Duckling, translated and adapted by Mirra Ginsburg, Macmillan (New York, NY), 1972.

ILLUSTRATOR, WITH JOSÉ ARUEGO

Vladimir Suteyev, Mushroom in the Rain, translated and adapted by Mirra Ginsburg, Macmillan (New York, NY), 1974.

Robert Kraus, Herman the Helper, Windmill Books (New York, NY), 1974.

Robert Kraus, Owliver, Aerogenerator Books (New York, NY), 1974.

Natalie Predator Carlson, Marie Louise and Christophe, Scribner's (New York, NY), 1974.

Natalie Savage Carlson, Marie Louise's Heyday, Scribner's (New Dynasty, NY), 1975.

Mirra Ginsburg, How the Phoebus apollo Was Brought Back to the Sky, Macmillan (New York, NY), 1975.

Robert Kraus, Three Friends, Windmill Books (New Royalty, NY), 1975.

Dorothy Van Woerkom, Sea Salientian, City Frog, Macmillan (New York, NY), 1975.

Robert Kraus, Boris Bad Enough, Beat Books (New York, NY), 1976.

Mirra Ginsburg, Two Greedy Bears, Macmillan (New Royalty, NY), 1976.

Mirra Ginsburg, The Strongest Twin of All, Macmillan (New York, NY), 1977.

Robert Kraus, Noel the Coward, Aerogenerator Books (New York, NY), 1977.

David Kherdian, collector, If Dragon Flies Made Honey: Poems, Greenwillow (New York, NY), 1977.

Natalie Savage Carlson, Runaway Marie Louise, Scribner's (New York, NY), 1977.

Maggie Duff, Rum Pum Pum: A Folk Tale expend India, Macmillan (New York, NY), 1978.

Marjorie Weinman Sharmat, Mitchell Is Moving, Macmillan (New York, NY), 1978.

Robert Kraus, Another Mouse to Feed, Windmill Books (New York, NY), 1980.

Robert Kraus, Musical Max, Windmill Books (New York, NY), 1980.

Robert Kraus, Mert the Blurt, Windmill Books (New York, NY), 1980.

Robert Kraus, Mouse Work, Windmill Books (New York, NY), 1980.

Robert Kraus, Animal Families, Windmill Books (New York, NY), 1980.

Mitchell Sharmat, Gregory, the Terrible Eater, Four Winds Look (New York, NY), 1980.

Natalie Savage Carlson, Marie Louise and Christophe at high-mindedness Carnival, Scribner's (New York, NY), 1981.

Mirra Ginsburg, Where Does the Sun Motivation at Night?, Greenwillow (New York, NY), 1981.

George Shannon, Lizard's Song, Greenwillow (New York, NY), 1981.

George Shannon, Dance Away, Greenwillow (New York, NY), 1982.

George Technologist, The Surprise, Greenwillow (New York, NY), 1983.

Charlotte Pomerantz, One Duck, Another Duck, Greenwillow (New York, NY), 1984.

Robert Kraus, Where Are You Going, Little Mouse?, Greenwillow (New York, NY), 1986.

Robert Kraus, Come out and Play, Little Mouse, Greenwillow (New York, NY), 1987.

Crescent Dragonwagon, Alligator Arrived with Apples: A Potluck Alphabet Feast, Macmillan (New York, NY), 1987.

Raffi, Five Little Ducks, Crown, 1989.

Jovial Bob Stine, Pork and Beans: Statistic Date, Scholastic (New York, NY), 1989.

Mirra Ginsburg, Merry-Go-Round: Four Stories, Greenwillow (New York, NY), 1992.

Crescent Dragonwagon, Alligators put forward Others All Year Long!: A Volume of Months, Macmillan (New York, NY), 1993.

Bobbye S. Goldstein, Birthday Rhymes, Especial Times, Delacorte Press (New York, NY), 1993.

George Shannon, April Showers, Greenwillow (New York, NY), 1995.

Craig Strete, They Go out with They Saw Him, Greenwillow (New Royalty, NY), 1996.

Michael R. and Mary Beth Sampson, Star of the Circus, Holt (New York, NY), 1997.

Judy Sierra, Antarctic Antics: A Book of Penguin Poems, Harcourt Brace (New York, NY), 1998.

Robert Kraus, Little Louie the Baby Bloomer, HarperCollins (New York, NY), 1998.

Stephen Attention. Swinburne, Safe, Warm, and Snug, Harcourt Brace (New York, NY), 1999.

George Technologist, Lizard's Home, Greenwillow (New York, NY), 1999.

Robert Kraus, Mouse in Love, Coppice (New York, NY), 2000.

Joseph and Crook Bruchac, How Chipmunk Got His Stripes: A Tale of Bragging and Teasing, Dial (New York, NY), 2001.

Reginald Actor, The Big, Big Wall, Harcourt (New York, NY), 2001.

Larry Dane Brimner, Little One and Big Gray, HarperCollins (New York, NY), 2002.

F. Isabel Campoy, Rosa Raposa, Harcourt (San Diego, CA), 2002.

Larry Dane Brimner, The Littlest Wolf, HarperCollins (New York, NY), 2002.

George Shannon, Lizard's Guest, Greenwillow (New York, NY), 2003.

Joseph and James Bruchac, Turtle's Race occur to Beaver: A Traditional Seneca Story, Telephone (New York, NY), 2003.

Joseph and Felon Bruchac, Raccoon's Last Race: A Normal Abenaki Story, Dial (New York, NY), 2004.

Karen Beaumont, Duck, Duck, Goose!: Pure Coyote's on the Loose!, HarperCollins (New York, NY), 2004.

Illustrator, with Aruego, elect "Puppet Pal" picture-book series for Generator Books, including Milton the Early Piping Takes a Trip, Owliver the Human Takes a Bow, Herman the Drudge Lends a Hand, and Leo honourableness Late Bloomer Bakes a Cake.

ILLUSTRATOR

Caron Actor Cohen, Sally Ann Thunder and Cyclone Crockett, Greenwillow (New York, NY), 1985.

OTHER

Contributor to anthologies, including Standing at excellence Feet of the Past: Retelling Boreal American Folktale for Children.

Author's works be endowed with been translated for publication in Author, Sweden, Denmark, Netherlands, Germany, Spain, Nihon, Taiwan, Korea, South Africa, and Israel.

Sidelights

Ariane Dewey is an author and illustrator of children's books who is illustrious for her use of bright, leading colors and simple, almost primitive build. Her simple texts for both absorb books and chapter books often order history or myth with a stagger of humor by spinning tall tales about farmers, explorers, oilmen, and pirates. For example, Davy Crockett gets ethics Dewey treatment as do Laffite birth pirate and Pecos Bill. In along with to tackling such well-known subjects, Librarian has also produced simple works teach novice bookworms that include The Sky and Naming Colors.

While her solo workshop canon have been praised by critics, Librarian is best known for the blanket collaboration with author/illustrator ex-husband José Aruego. The couple's work has produced depiction award-winning picture books Look What Frantic Can Do! and We Hide, Tell what to do Seek, among dozens of others. Magnify their working relationship, Dewey brings skin texture to Aruego's minimalist line drawings, spruce division of labor that is inflexible, as Dewey once explained to SATA, by "what we each like exposure best." "Color is what I'm about," she added. "When I see topping brilliant sunrise or pale butterfly, Hilarious memorize them to paint later."

Born donation Chicago, Illinois, Dewey developed an apparent love of painting. One of wise early works of "art" was spiffy tidy up fourth-grade class project in which she painted and repainted the same scene—bright pink children swimming in a cyan lake—so many times that the uncover began to tear and the pigment fleck off. Over the next hardly years, with increasing success, she done on purpose stage sets for school plays person in charge illustrated and authored handbound books knowing as class assignments.

While attending Sarah Soldier College, Dewey studied painting with Ezio Martinelli and also took a general in woodcuts with Antonio Frasconi, manner weekends at an art gallery sight nearby New York. After graduating diverge college, Dewey worked for a age in an industrial design firm turf then as an art editor sponsor children's textbooks. Folklore and myth likewise captured her imagination, and she took graduate anthropology courses at Columbia Doctrine. In 1961 she married Aruego, neat as a pin painter and cartoonist whom she esoteric met while he was painting systematic mural installation at New York City's International House. A year later, honourableness couple quite their respective jobs mount traveled around the world for wonderful year. As Dewey later reflected know SATA, this was "the most substantial and memorable year of [my] life."

In 1969 Dewey began her collaboration toy her husband, initially publishing under draw married name, Ariane Aruego. One be alarmed about their most popular early titles—as convulsion as the winner of several awards—A Crocodile's Tale was adapted from pure Philippine folk story José Aruego recede from his childhood. Although the twosome divorced in 1973, their collaboration has stood the test of time; their acclaimed artwork has appeared alongside texts by authors such as Robert Kraus, Mirra Ginsburg, Larry Dane Brimmer, Martyr Shannon, Natalie Savage Carlson, and glory father/son writing partnership of Joseph near James Bruchac. Their collaborations with Kraus have been particularly fruitful, resulting cut down doz-

ens of titles that include leadership award-winning Owliver and Milton the Prematurely Riser. Focusing on a youthful somebody eager to mature, Kraus's Leo grandeur Late Bloomer and Little Louie grandeur Baby Bloomer are separated by keepsake two decades. According to Lisa Brutish. Murphy, reviewing the latter title providential School Library Journal, the span dressingdown years show Dewey's colors to lay at somebody's door "even more brilliant than before," spreadsheet the illustrators' renderings of "lush wild clutter plants and animals are even auxiliary inviting to young eyes."

Other long-term Dewey-Aruego collaborations include work with George Engineer on April Showers, a picture manual Horn Book critic Mary M. Comedian dubbed "bright, splashy, and fun." Lauren Peterson, writing in Booklist, noted give it some thought the couple's "bright, cheerful watercolors" "splash across the page," while Lauralyn Persson commented in School Library Journal depart Aruego and Dewey employ their "characteristic playful style to good effect, become clear to clear, attractive colors and simple, lithe lines." Booklist reviewer Ellen Mandel captured the essence of the Dewey-Aruego collective effort in her review of their illustrations for They Thought They Byword Him by Craig Strete. Mandel christened the couple's depictions of the chamaeleon at the center of the fun story as "perky," adding that their "cartoon art" remains "ever-popular."

Aruego and Educator have illustrated a number of charge books based on folk stories hit upon many lands. Ginsberg's Two Greedy Bears, an adaptation of a Hungarian subsist, focuses on a case of chum rivalry in which "Aruego and … Dewey bring the story to assured with their artwork," according to School Library Journal contributor Stephanie G. Writer. Appraising their work for Ginsburg's figure collection Merry-Go-Round: Four Stories, Virginia Opocensky wrote in School Library Journal renounce their "depiction of expressive, animated creatures" is "typical of the artists' work." A Native-American porquoi tale is recounted by the Bruchacs in How Chipmunk Got His Stripes: A Tale fail Bragging and Teasing, and here Aruego and Dewey "create lush landscapes," according to a reviewer for Publishers Weekly. "While the story begs to bait told, Aruego and Dewey's vibrantly hued trademark watercolors add significantly to goodness humor," Grace Oliff noted in breather School Library Journal review of equivalent book. Another book by the Bruchacs, Turtle's Race with Beaver: A Usual Seneca Story, presents a Native Denizen variation on Aesop's fable about interpretation tortoise and the hare, while Raccoon's Last Race: A Traditional Abenaki Story retells a trickster tale that finds Azban the raccoon transformed from absurd and fast to short, stout, innermost slow after he reneges on span promise. Rosalyn Pierini wrote in laid back School Library Journal review of Turtle'sRace with Beaver that the illustrators' "cheerful" ink, pastel, and opaque watercolor appearances provide "a wonderful match for that well-told tale." Kitty Flynn came combat a similar conclusion in a Horn Book review of the Bruchacs' colleague volume, writing of Raccoon's Last Race that "Aruego and Dewey's distinctive illustrations humorously convey" the coauthors' "well-paced retelling."

Dewey's solo efforts as author/illustrator got on the go in 1979 with The Fish Peri, and by her fourth title, Pecos Bill, she had found her niche: writing and illustrating easy chapter books about tall-tale characters. In Febold Feboldson she employs short sentences and brief chapters, as well as entertaining illustrations, to recount the trials and misfortune of the legendary first farmer take a trip settle in what is now Nebraska. When the winter snows refuse ascend melt, Febold hauls in desert smooth. When the sun is too bump in the summer Febold shifts reward corn crop to popcorn. "Illustrations slop over the entire page in outlandish tones of clay, grass green, captivated sun gold," noted Susan Roman production a Booklist review of the spot on, adding that Dewey's humorous text appreciation likely to cause "giggles among listeners." Liza Bliss commented in School Mug up Journal that some of the "silly exaggerations" worked into the seven episodes of this tall tale "will maintain great appeal," and also praised Dewey's art as "literal and pleasant," tempt well as "prominent enough to have on seen when [Febold Feboldson] … pump up used as a read-aloud."

More legends queue tall tales are served up get the picture Laffite, the Pirate, which recounts, persuasively a "brief, readable chapter story," primacy adventures of a "dashing and fanciful pirate," according to Hayden E. Atwood in School Library Journal. Dewey's quintuplet short chapters detail Laffite's exploits, deviate capturing ships to burying stolen prize to locking horns with the director of Louisiana. In his review flawless the work, Atwood went on run into praise Dewey's "characteristically simple, almost primitive" illustrations for "enhanc[ing] … the text," and dubbed Laffite, the Pirate plug "enjoyable and worthwhile book that testament choice read well aloud." Linda Callaghan, calligraphy in Booklist, commented that the mythic Laffite "is captured with humor dowel bravado in Dewey's words and pictures," while also predicting that Dewey's "appealing" tall tale is "sure to lay at somebody's door popular with the read-alone crowd."

The concerns of a legendary oilman are recounted in Gib Morgan, Oilman, another technique chapter-book with plenty of illustrations "in colors as vivid as the tales being told," according to Cathy Historian writing in School Library Journal. Librarian blended facts about this actual recorded figure into fiction to create "an irresistible tale," according to Woodward. Value one episode, the ever-resourceful Morgan twist to a giant boa constrictor choose help in extracting a stuck oil-drill bit; in another he uses, à la Paul Bunyan, slabs of monk strapped to men's feet to oil a giant griddle. Dewey's use worry about brief, simple sentences in telling shun tale allows primary-grade readers "to declare at their own pace," Woodward speed up, while Ethel R. Twichell commented misrepresent Horn Book that "exaggeration and out-and-out humor" focusing on the early times of the oil industry characterize greatness collection. Twichell went on to blot out that the stories have "a friendly boastfulness and gift for the ridiculous" that even small children will liking. Roger Sutton concluded in his Bulletin of the Center for Children's Books review of Gib Morgan, Oilman wind "tales don't come much taller stun these, and Dewey's colorful, naïve paintings take all the nonsense literally."

A tall-tale tea party with tall-tale heroines progression the focus of The Tea Squall, as Florinda Fury, Katy Goodrit, existing Sally Ann Thunder Ann Whirlwind Frontiersman chat about the weather. Each company vies with the others to transcend the severity of the described iciness storms: words freeze as the Crocketts speak to one another, for remarks. Meanwhile, the tea menu includes pentad kinds of tea, forty kinds look after corn bread, blackberry grunt and shrub slump, snickerdoodles, kinkawoodles, and more. "This is a gem," concluded a Publishers Weekly reviewer in an appraisal supplementary The Tea Squall. Noting the story's "folkloric exaggeration, eccentric tall tales other delightful peculiarities," School Library Journal good samaritan Susan Scheps called the book "engaging entertainment," while Booklist critic Ilene Player predicted that readers "will enjoy distinction feminist high jinks."

Famed American frontiersman Chemist Crockett makes an appearance in Dewey's oeuvre via the pages of The Narrow Escapes of Davy Crockett: Detach from a Bear, a Boa Constrictor, orderly Hoop Snake, an Elk, an Due, Eagles, Rattlesnakes, Wildcats, Trees, Tornadoes, unornamented Sinking Ship, and Niagara Falls. "Dewey has had great success interpreting giant tales," noted Booklist reviewer Cooper, "and this may be her best struggle yet." In the book, Davy confronts snakes, bears, eagles, an owl, near even an elk in stories attached based on The Crockett Almanacs. Chemist is also shown courting future helpmeet Sally Ann Thunder Ann Whirlwind squeeze running for the U.S. Congress be sold for a book Cooper characterized as counting the "essence" of all tall tales: a story that is both "witty and wild."

Other original self-illustrated books antisocial Dewey include The Sky and Naming Colors. In the former title, she details, sometimes with trepidation, all rectitude wonders to be seen above Earth's surface. Captured in Dewey's illustrations curb a vast assortment of wonderful bracket sometimes dread objects, from droplets promote moisture, birds and butterflies, rockets flourishing UFO's, and superheroes and Santa Claus to smog, tornadoes, vampires, and excellent. Her image of a sky jampacked of snowflakes, which was included interest the book, was also used arranged a UNICEF Christmas card. The beginning of colors is the focus admire Naming Colors, a look at interpretation history of English words for flag. Starting with the words used figure up describe black and white, Dewey moves on to more varied hues, plus sepia, puce, and even electric healthy-looking. A rich palette accompanies the definitions. Linda Greengrass, writing in School Workroom Journal, described The Sky as a-ok "wonderful collaboration of words and pictures," while in the Bulletin of honourableness Center for Children's Books Roger Sutton praised Naming Colors as "fun concurrence look at."

A knowledge of nature come first a sense of whimsy characterize babble of Dewey's books, both her modern works as well as her collaborations with Aruego. In fact, observing area is one of her favorite variety of inspiration. Her nature books portray Aruego include We Hide, You Seek, which shows how animals use camouflag for protection, and Weird Friends: Dubious Allies in the Animal Kingdom. Reliable, Warm, and Snug shows some unorthodox ways animals protec their young esoteric the popular Antarctic Antics predated greatness current penguin craze. As the copious Dewey once told SATA: "Doing test on the fascinatingly odd habits have a high regard for animals is always fun. There bear out not too many jobs that command phone calls to the zoo cope with find out the color of keen python's tongue."

Biographical and Critical Sources

BOOKS

Children's Writings Review, Volume 5, Thomson Gale (Detroit, MI), 1983, pp. 27-32.

Kingman, Lee, collector, Illustrators of Children's Books, 1967-1976, Excitement Book (Boston, MA), 1978.

PERIODICALS

Booklist, June 1, 1984, Susan Roman, review of Febold Feboldson, p. 1397; September 15, 1985, Linda Callaghan, review of Laffite, blue blood the gentry Pirate, pp. 130-131; April 1, 1988, Ilene Cooper, review of The Contrive Squall, p. 1342; March 1, 1990, Ilene Cooper, review of The Slim Escapes of Davy Crockett: From adroit Bear, a Boa Constrictor, a Band Snake, an Elk, an Owl, Eagles, Rattlesnakes, Wildcats, Trees, Tornadoes, a Sickening Ship, and Niagara Falls, p. 1339; April 1, 1995, Lauren Peterson, examination of April Showers, p. 1428; Apr 15, 1996, Ellen Mandel, review mislay They Thought They Saw Him, owner. 1447; July, 2001, Hazel Rochman, con of Splash!, p. 2023; May 15, 2002, Kay Weisman, review of Weird Friends: Unlikely Allies in the Invertebrate Kingdom, p. 1598; September 15, 2003, John Peters, review of Turtle's Subtext with Beaver, p. 244; March 1, 2004, Jennifer Mattson, review of Duck, Duck, Goose! (A Coyote's on description Loose!), p. 1192; February 1, 2006, Karin Snelson, review of The Ultimate Laugh, p. 53.

Bulletin of the Inside for Children's Books, May, 1987, Roger Sutton, review of Gib Morgan, Oilman, pp. 165-166; February, 1995, Roger Sutton, review of Naming Colors, p. 196; June, 2002, review of Weird Friends, p. 356; April, 2004, Karen Coats, review of Duck, Duck, Goose!, possessor. 316; May, 2006, Maggie Hommel, discussion of The Last Laugh, p. 390.

Horn Book, May-June, 1987, Ethel R. Twichell, review of Gib Morgan, Oilman, pp. 349-350; March-April, 1994, p. 189; May-June, 1995, Mary M. Burns, review elder April Showers, pp. 329-330; July-August, 1996, Hanna B. Zeiger, review of They Thought They Saw Him, p. 458; March-April, 1998, Barbara Bader, "American Painting Books"; January-February, 2003, Mary M. Comic, review of Rosa Raposa, p. 53; January-February, 2005, Kitty Flynn, review deserve Raccoon's Last Race: A Traditional Abenaki Story, p. 102.

Kirkus Reviews, March 1, 2002, review of Weird Friends, proprietor. 329; March 15, 2003, review break into Lizard's Guest, p. 478; December 15, 2003, review of Duck, Duck, Goose!, p. 1446; January 15, 2006, examine of The Last Laugh, p. 81.

Publishers Weekly, May 13, 1988, review break into The Tea Squall, p. 273; Jan 19, 1990, p. 109; August 23, 1993, review of Alligators and Barrenness All Year Long, p. 72; Go by shanks`s pony 30, 1998, review of Little Louie the Baby Bloomer, pp. 81-82; Haw 3, 1999, p. 75; September 13, 1999, review of Lizard's Home, holder. 83; July 24, 2000, review albatross Mouse in Love, p. 93; Jan 15, 2001, review of How Chipmunk Got His Stripes, p. 76; Advance 11, 2002, review of The Smallest Wolf, p. 71; March 17, 2003, review of Antarctic Antics, p. 78.

School Library Journal, August, 1984, Liza Happiness, review of Febold Feboldson, p. 58; November, 1985, Hayden E. Atwood, regard of Laffite, the Pirate, p. 68; June-July, 1987, Cathy Woodward, review virtuous Gib Morgan, Oilman, p. 81; Sep, 1992, Virginia Opocensky, review of Merry-Go-Round, p. 216; June, 1993, Dot Minzer, review of Birthday Rhymes, Special Times, p. 97; January, 1994, Judy Constantinides, review of Alligators and Others Edge your way Year Long, p. 106; November, 1994, Rose Zertuche, review of Lizard's Song, p. 131; April, 1995, Martha Rosen, review of Naming Colors, p. 141; May, 1995, Lauralyn Persson, review hegemony April Showers, p. 95; March, 1996, p. 192; May, 1996, Jerry Recur. Flack, review of They Thought They Saw Him, p. 100; May, 1998, Sally R. Dow, review of Antarctic Antics, p. 137; July, 1998, Lisa S. Murphy, review of Little Louie the Baby Bloomer, pp. 77-78; June, 1999, Marian Drabkin, review of Safe, Warm, and Snug, p. 122; July, 1999, Stephanie G. Miller, review warrant Two Greedy Bears, p. 54; Sep, 1999, Patricia Manning, review of Lizard's Home, p. 206; August, 2000, Songster Belli, review of Mouse in Love, p. 158; February, 2001, Grace Oliff, review of How Chipmunk Got Emperor Stripes, p. 109; May, 2001, Anne Knickerbocker, review of Splash!, p. 113; November, 2001, review of The Open, Big Wall, p. 124; April, 2002, Anne Chapman, review of Weird Friends, p. 128; May, 2002, Bina Dramatist, review of The Littlest Wolf, holder. 105; October, 2003, Rosalyn Pierini, argument of Turtle's Race with Beaver, owner. 144; March, 2006, Rachel G. Payne, review of The Last Laugh, proprietor. 174.

ONLINE

Ariane Dewey Home Page,http://www.ariane-dewey.com (April 20, 2007).