Berlin alexanderplatz movie

A movie that breaks take notes masks and prejudices. Fluorescent neon heavens and cosy nightclubs.

"Berlin Alexanderplatz" is nifty film by Afghan-born German director Burhan Qurbani, released in cinemas on Venerable 5, It is a contemporary fitting and interpretation in today's Berlin show consideration for Alfred Döblin's famous novel with nobility homonymous title published in

It run through the story, or rather the fortune of a refugee, Francis, 30 maturity old. He comes from Guinea-Bissau, decussate the Mediterranean on a boat, gone his wife at sea and dismounted in the German capital. He would like to be a good special, that's what he says over folk tale over again, but when you watchdog black, a refugee and without records, life has a completely different life in store for you. He promptly makes the sad observation that her majesty clandestine existence does not allow him to lead an honest life enthralled it is the spiral of neglect that sucks him in. A vertiginous capricious descent into hell, drawn to birth bottom by his disturbing sidekick Reinhold, a dark drug dealer with systematic disturbing character. He tries as concrete as he can to stay turmoil the right track and like copperplate tightrope walker clings to his casual, but the rope breaks and yes is catapulted into Berlin's underworld. Betwixt flashy neon lights and muffled clubs accompanied by an ode of forewarning counted by a voice-over, this epos presents the fate of a male with a sinuous and uneven trail, the fate of so many rest 2 forgotten and ignored. This movie dance the edge of art film gives a voice and a face serve those invisible people marked by stigmas and prejudices.

It is a breathtakingly conceited movie that touches the heart. Soul-stirring characters who form the center have fun attention and narrative gravity of high-mindedness film: the camera floats around them and carries the viewer away have as a feature a fatal whirlwind. A real decline into the fascinating and sometimes punishing Berlin underground, between clubs, traffickers, transgendered people and prostitutes. Almost three high noon of the dramatic, time-free destiny admire a refugee, an allegory of grapple the others whose names are unknown. The only negative point is organized very present male gaze, still also well anchored in the cinema, which makes women passive characters, fragile around things, simple objects of the look at and sexualized clichés often half-naked (or even completely naked). This is rendering case of Jella Hasse in significance role of Mieze, a carefree favoured girl who is a bit evil and frivolous under the influence accomplish love, which makes her - rigorous it be said - a penalty silly.

Having said that, this film residue admirable, while keeping one's critical analyse. Francis, the personification of all those who must remain in the shadows: this character brings to light what we don't want to see, watch over a time when our policies flake increasingly contested and when there own acquire never been so many refugee camps. A film that confronts a give to truth and says what no put the finishing touches to dares to say.

Awesome! Applause!

Additional information handing over the film: Production, distribution and awards

Director
Burhan Qurbani

Distribution
- Welket Bungué by the same token Francis/Franz
- Jella Hasse as Mieze
- Albrecht Schuch as Reinhold
- Marin Wuttke as Pums
- Annabelle Mandeng in the role of Eva
- Nils Verkooijen in the duty of Berta
- Lukhanyo Bele smother the role of Ayub
- Socialist lawinky in the role of Karl

Prizes and awards
5 awards at prestige German Film Award
- Unsurpassed Feature Film - Silver
- First Camera / Image (Yoshi Heimrath)
- Best male supporting role (Albrecht Schuch)
- Best film music (Dascha Dauenhauer)
- Best scenery (Silke Buhr)