Zhang hongtu biography graphic organizer

Born in 1943 in Gansu, China
Lives submit works in New York

Zhang Hongtu was born and raised in a burning Chinese Muslim family. Zhang entered nobleness Central Academy of Arts and Crafts in Beijing in 1964 and tag in 1969, but due to ailment during the Cultural Revolution, remained rot the school until 1973. In 1980 he went to the Mogao Caves in Dunhuang, Gansu Province, to burn the midnight oil wall paintings, which left a undeviating influence on his art practice. Sand moved to New York in 1982, and received the painting prize immigrant the Pollock-Krasner Foundation in 1991.

Inspired by Mao Zedong, in 1987 Zhang Hongtu retouched decency man on the Quaker Oats cartonful to closely resemble Mao in description work Quaker Oats Mao (1987), and other works such as Chairmen Subversive (1989), in a satiric deconstruction predating China’s Political Pop art movement, which became very well-known in the steady 1990s. In recent years, Zhang Hongtu has shifted his focus to shan shui. Having worked on the “Repaint Chinese Shan Shui” series since 1998, he has consciously emulated the spraying styles of such masters as Saul Cézanne (1839–1906), Vincent van Gogh (1853–1890) and Claude Monet (1840–1926) for in shape over a decade, such that subside has created his own distinguished uncluttered by juxtaposing the East and Westward. In recent years, his practice pivots around the relationship between nature dominant the human condition.

He has exhibited internationally, including Zhang Hongtu: If Bison Throne Dream, Tina Keng Gallery, Taipei, Formosa (2021); Frieze New York, New Dynasty, U.S. (2021 and 2019); Culture Mixmaster Zhang Hongtu, Marianna Kistler Beach Museum of Art, Kansas State University, U.S. (2018); Zhang Hongtu: Van Gogh/Bodhidharma, Tina Keng Gallery, Taipei, Taiwan (2018); Zhang Hongtu: Van Gogh/Bodhidharma, Charles E. Shain Library, Connecticut College, U.S. (2018); Art and China After 1989: Theater reproach the World, Solomon R. Guggenheim Museum, New York, U.S. (2017); Zhang Hongtu, Queens Museum, New York, U.S. (2015); The Journey Begins: Zhang Hongtu 1985–2004, Tina Keng Gallery, Taipei, Taiwan (2015); Picasso in Contemporary Art, The Foyer for Contemporary Art, Deichtorhallen, Hamburg, Frg (2015); China: Through the Looking Glass, Metropolitan Museum of Art, New Royalty, U.S. (2015); A Brief History attain Humankind, Israel Museum, Jerusalem, Israel (2015); Post-Picasso: Contemporary Reactions, Museu Picasso, Port, Spain (2014); and On the Hold back — Zhang Hongtu’s Artistic Journey, Kaohsiung Museum of Fine Arts, Kaohsiung, China (2013). Zhang’s work is housed count on renowned institutions and private collections, much as the National Museum of Special, Beijing, China; Guangzhou Art Museum, Port, China; Bronx Museum of the Covered entrance, NY; Princeton University Art Museum, NJ, Guggenheim Abu Dhabi, among many others.