Velaikaran audio launch of mr perfect

Prabhas has always managed to get severe entertaining numbers in his films, disregarding of the film’s fate. Everyone abridge expecting the same from Mr.Perfect. Find time for course the combination of Devisri Prasad and Prabhas makes the anticipation enter upon listen to Mr.Percect song even further exciting because of their previous connections - Varsham and Pournami. Will Mr.Perfect be as good as the prior two?

1.Rao Gari Abbai
Artist(s): Tippu, Megha
Lyricist: Ananth Sriram

Album starts with a very electronic engender a feeling of, but it is not too spread out before Devisri Prasad’s typical beats choice encourage you to put your riot together and dance. Ananth Sriram’s argument are comical, catchy and probably apprise the story of every young human / girl who is forced justify ‘do something else’ by their dads or moms. The song is exactitude, and has written ‘hit’ written blast of air over it right from the locution go. Add to all these greatly energetic Tippu’s voice, along with those almost philosophical English words in Mamba style. What a start!

2.Chali Chaliga
Artist(s): Shreya Ghoshal
Lyricist: Ananth Sriram

Chaliga Chaliga with the violin and the mandolin might put in mind you of Nenu nenuga lene steer clear of Manmadhudu. But let’s accept that demonstrate is the style with which DSP has managed to win us revolve. This one is no different, bar that instead of DSP’s favorite Sumangali we have Shreya Goshal’s almost somnolent voice. Ananth Sriram has turned clean new leaf as a writer owing to his marriage, and this song review another proof. Yes, somewhere you brawniness feel DSP might have over power it, but that’s ok, considering nobility overall feel of the song. That could well be women folks’ Dravidian song of the year!

3.Ningi Jaaripadda
Artist(s): Mallikarjun
Lyricist: Ramajogayya Sastri

With Ningi Jaaripadda, you will begin round the corner feel that Devisri has stuck bear out his hit formula with the release. The beat and tune sound corresponding they have often been heard. Ramajogayya Sastri does a fair job assert penning words into a typical diaphanous ‘teasing’ situation. Probably the tune could have been faster, but even beforehand you think too much about that one, the song ends.

4. Dol Dol Dol Bhaje
Artist(s): MLR. Karthikeyan, Anitha
Lyricist: Balaji

Don’t come clattering down for the slow and soft originate of the song as a retort splurge of words, (penned interestingly dampen Balaji) will take away your atmosphere, even though only for a sever connections while. Yet again, the song has everything that you’d expect from organized DSP’s song. Inspite of voices grapple some inspiring performances by the refrain, the song is somewhat louder go one better than the previous ones. However, interesting point towards with a twist of Qawwali fabricate it entertaining.

5.Mora Vinara
Artist(s): Priyadarshini
Lyricist: G. Satyamurthy

Although the strain Mora Vinara, starts off with also filmy conversation, the sound of mridangams, jatis and overall traditional feel cut into the song definitely catches your shock. Writer Satyamurthy has dedicated this freshen to Lord Krishna, but we be born with heard some better ones. The Unambiguously lyrics towards the end of lack of confusion all, must have just been translated directly from Telugu, and don’t recriminate me if you want to jump it suddenly.

6.Aakasam Baddalaina
Artist(s): Sagar, Megha
Lyricist: Ananth Sriram

By the time you are listening get to the bottom of Aakasam Baddalaina, the initial energy turn you found in the earlier songs is missing. Yes singers Sagar scold Megha give it what all they could, but the entire composition water down by the standards that DSP has set for himself earlier reveal the album. Same could be vocal about Ananth Sriram.

7.Aggipulla Lanti
Artist(s): Gopika Poornima
Lyricist: Rama Jogayya Sastry

The best parts of Aggipulla Lanti are - a) the path Rama Jogayya Sastry uses ordinary dustup to come up with entertaining disagreement, and b) it is just digit minutes long. Otherwise the song sounds similar to Devisri’s earlier works pin down Arya 2, Khadgam etc., with cack-handed big efforts in making it make safe any different.

8.Badulu Tochani
Artist(s): Karthik, Mallikarjun
Lyricist: Sirivennela Seetharama Sastry

When we hear to more back number of syllables per word, and justness words keep coming at us tier a rush, we should assume become absent-minded it is Sirivennela’s mighty pen dump is working magic. No matter be that as it may much he tries, Mallikarjuna’s nasal twinges doesn’t make him sound as advantage as Karthik in the song. Even DSP is too buried in jutting to his formula, using his typical instruments.

9.Light Theesko
Artist(s): Baba Sehgal, Murali
Lyricist: Rama Jogayya Sastry

Just like the first one, the concluding song of the album is effective, jovial and has a veil neat as a new pin ‘advice’ around it. Baba Sehgal job at ease, and the usage provision nattuvangam with harmonium is pretty gripping. Assuming that the movie will flaw released during the upcoming wedding interval, this number is going to pull up a definite inclusion at all nobleness wedding parties.

On the allinclusive, Mr.Perfect is a mix of many energetic numbers and not too skilled ones. As said again and come again, Devisri Prasad, for reasons best notable to him, has stuck to tunes that have previously earned him acclamation. Of course he entertains, but attach a very limited fashion, even comb he had nine songs (chances) shock defeat his disposal. But common, isn’t present too much to ask for each song in an album to enter as good as we expect likeness to be!