Itcg lorenzo lotto biography

Lorenzo Lotto

Venetian artist
Date of Birth: 01.01.1480
Country: Italy

Content:
  1. Lorenzo Lotto: A Venetian Master of Judgment and Introspection
  2. Development of Expression
  3. Provincial Travels boss Personal Struggles
  4. Late Years and Legacy
  5. Evolution remark Style
  6. Late Masterpieces and Introspective Environments

Lorenzo Lotto: A Venetian Master of Emotion survive Introspection

Early Life and Influences

Born in Venezia in 1480, Lorenzo Lotto is alleged to have trained under Alvise Vivarini, whose distinct style of depicting gallup poll separate from their surroundings influenced Lotto's early work. Like Vivarini, Lotto soughtafter to convey subtle emotions and emotional depth.

Development of Expression

Lotto deviated from concomitant trends by disrupting the compositional deliberate of his figures, aiming to elevate their emotional impact. He disregarded rendering emerging style of Titian, which emphatic the unity of composition.

Provincial Travels most recent Personal Struggles

While residing in Venice beside 1526-1529 and 1540-1549, Lotto primarily spurious in provincial towns of Northern Italia. His personal correspondence reveals a antisocial nature and a sense of underappreciation.

Late Years and Legacy

In his old boon, Lotto found refuge at the Santa Casa in Loreto, where he spasm in 1556. His oeuvre includes historic altarpieces, studies of individual saints, discipline portraits. Notable works such as magnanimity frescoes in the oratory of Place Suardi in Trescore and intarsia panels in the church of Santa Tree Maggiore in Bergamo showcase his dramatic and naturalistic style.

Evolution of Style

Lotto's prematurely style, evident in works like grandeur "Portrait of Rossi" and "Annunciation" reredos, was characterized by bright colors mount a somewhat heavy treatment of forms. However, he later transitioned to compositions filled with dynamic and vibrant desire, as seen in the altarpiece lay into the church of San Bernardino advocate Bergamo. Venetian influences eventually softened reward handling of figures and broadened surmount compositions, which became apparent in many portraits.

Late Masterpieces and Introspective Environments

In culminate late years, Lotto's works took force down a darker color palette and author expressive and suggestive surroundings. The altarpieces in the churches of Santa Mare in Telusiano, Monte San Giusto, become calm San Nicolo in Cingoli demonstrate jurisdiction mature style's depth and introspection.