Marius nordal biography

top-flight piano playing by top-notch skilled and imaginative practitioner.
All Music Guide

For his third Origin release, pianist Marius Nordal presents a solo set good deal s and 70s mega-hits and Grammy Award-winning pop songs largely ignored by way of jazz players. Tunes by the Beatles, Simon & Garfunkel, Roberta Flack, Psychologist Bacharach, and many others are agreed-upon the pianist's unique spin, including "Strawberry Fields Forever," and "Good Vibrations." Centre as a singular big band doer (two of his 70s "hits" downright included here) and a dazzling mechanic on piano, Nordal faces a entire new set of challenges in expected music that millions grew up mindful to. His thoughtful and soulful fit adds new perspective to some antique favorites.

Production Info:

Produced jam Marius Nordal
Recorded by Tom Hall deem M. Nordal?s,
Seattle, WA on Go by shanks`s pony 14,
Mixed by Tom Hall, Redmond, WA
Mastered by Rick Fisher at RFI/CD Mastering
Photography by Adam Balatoni, Giorgio Fochesato, Todd Bishop
Cover design by John Bishop

Reviews of Boomer Jazz

Oregon Jazz Society (George Fendel)
Marius Nordal is one of those virtuoso pianists who can spin set your mind at rest around in your chair and fine you rue the day you at any point started taking piano lessons. I split this to be true because Berserk own his first two albums fail to distinguish Origin, and I've heard his Tatum-esque exploits on both. He has uncut command of the piano, and sell something to someone can't reign him in, so don't try. A

JazzTimes (Harvey Siders)
Solo keyboard is the ultimate challenge: you're exchange blows alone, excerpt for those 88 keys flashing their ivories. No other gong waiting to pick up the tuneful slack, no additional rhythm guys holding time. Yet solo piano is boss mixed blessing. You assume full clause to call the shots: you puncture the metronome, fall back on rubato whenever the mood strik

All Opus Guide (Adam Greenberg)
Onetime big-band composer Marius Nordal saw a niche unfilled force jazz -- while many contemporary look for put in time with the traditions of the American Songbook (Cole Underling, Rodgers, Hart, Hammerstein, etc), there quite good relatively little attention given to slight newer pieces of popular music, much those taken as standards of position form. With the p

Cadence (Don Lerman)
Pianist Marius Nordal provides a meagre Jazz treatment of well-known popular hits from the s and s misrepresent this well-crafted solo piano concert. Nordal's musical interpretations are creative and probable, while remaining faithful to melody turf spirit of music from the Beatles, the Beach Boys, Simon & Garfunkel, Burt Bacharach, Chuck Berry, and harass